January 6, 2021 by Yona Zeldis McDonough
It’s 1942, and Antonina, a young Jewish woman, is no longer safe in her native Venice. With help from a benevolent priest, her father finds her shelter with a family of farmers outside the city. Although she knows she should be grateful for the chance to escape, Antonina grieves the separation from her parents and is terrified of accidentally exposing the charade she is forced to perform — assuming the role of the young farmer’s wife. Novelist Jennifer Robson talks to fiction editor Yona Zeldis McDonough about Our Darkest Night (William Morrow, $17.99), her newest novel that is devoted to Antonina’s brave and harrowing story.
October 12, 2020 by Rishe Groner
Sukkot is supposed to be the holiday of rejoicing.
And yet for me, a particularly difficult time, as a single woman.
Usually, it’s the week before Sukkot that I put a call out to ask the internet to help me build a sukkah or find one – and then, sometime during the actual week of the holiday I spill my guts and explain why the week brings about so much heartbreak.
I even wrote a poem about it once.
(more…)October 8, 2020 by admin
We are living in uncertain times. In Argentina, my home, the flights are almost totally suspended and the feeling of confinement and distance becomes more evident.
I am an artist born in this country to Auschwitz survivors. Their story of exile and loss of their homeland, their language, their culture, marked my life and of course my art. I always felt some responsibility to try to renew and make their ancestors’ culture live in their new chosen land. That choice was obviously by default since they arrived in Argentina clandestinely as refugees.
Thus, borders, migrations and exiles, human rights, and the mother tongue have always been an essential core in my artistic concern, since I consider that art has the gift, but also the commitment to transmit and contribute to the formation of culture and popular thinking.
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