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Tag : book
February 3, 2021 by Yona Zeldis McDonough
Forget Russia: a Q&A with L. Bordetsky-Williams
“Your problem is you have a Russian soul,” Anna’s mother tells her. In 1980, Anna is a naïve college senior studying abroad in Moscow at the height of the Cold War. She’s also a second-generation Russian Jew raised on a calamitous family history of abandonment, Czarist-era pogroms, and Soviet-style terror.
Novelist L. Bordetsky-Williams talks to Fiction Editor Yona Zeldis McDonough about how Anna’s experience both illuminates the dark corners of her family’s past and shines a light toward the future she is fashioning for herself.
YZM: You write about Russia with such affection and intimacy; what is your relationship to the country?
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January 6, 2021 by Yona Zeldis McDonough
A Q&A with Jennifer Robson, Author of “Our Darkest Night”
It’s 1942, and Antonina, a young Jewish woman, is no longer safe in her native Venice. With help from a benevolent priest, her father finds her shelter with a family of farmers outside the city. Although she knows she should be grateful for the chance to escape, Antonina grieves the separation from her parents and is terrified of accidentally exposing the charade she is forced to perform — assuming the role of the young farmer’s wife. Novelist Jennifer Robson talks to fiction editor Yona Zeldis McDonough about Our Darkest Night (William Morrow, $17.99), her newest novel that is devoted to Antonina’s brave and harrowing story.
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December 4, 2020 by Yona Zeldis McDonough
Saving Leonardo de Vinci’s “Lady with the Ermine”
September 1939 and Edith Becker sits with her hands trembling beneath the table where she’s seated before some of the most important men of the Alte Pinakoteck, one of Munich’s greatest museums. Usually, Edith’s work as a conservator keeps her ] behind the scenes, but today she’s been asked to identify and comment on paintings held in private collections across Poland. What she doesn’t know is that this is just the beginning of an extensive and highly organized plot to plunder Europe’s artwork and use it to glorify the Third Reich.
Fiction Editor Yona Zeldis McDonough talks to Laura Morelli about The Night Portrait, (William Morrow, $16.99) a novel that traces the fraught journey of Leonardo de Vinci’s famous Lady with the Ermine, and how this priceless work of art was ultimately saved.
YZM: How did the idea to write about this aspect of World War II come to you?
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November 11, 2020 by Yona Zeldis McDonough
A Profound Posthumous Novel from a Very Late Bloomer
What does it feel like to publish your first novel at the age of 90? That’s the question Lilith posed to Rochelle Distelheim two years ago— she was in a position to know. Distelheim, an award-winning short story writer and Chicago native, released her debut novel, Sadie In Love (Aubade Publishing), in 2018 and in addition to the Q & A that appeared on Lilith’s blog, we also ran excerpts from the novel, a warmly comical and deliciously wry story that sweeps us back to 1913 and the world of struggling Jewish immigrants in New York City’s Lower East Side.
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August 26, 2020 by Yona Zeldis McDonough
Friendships and Race: A New Orleans Coming of Age Story
New Orleans, in all its tawdry glory, is the setting for Iris Martin Cohen’s second novel, Last Call on Decatur Street (Park Row Books, $27.99). After swearing that she’ll never get to return to the Big Easy, Rosemary gets kicked out of college and finds herself back in her hometown, working as a burlesque dancer. Most nights she dulls her private sorrow with a combination of booze, drugs and sex but on the January night in question, her world is cracked wide open and she’s forced to confront the choices—good and bad—that she’s made. Cohen talks to Fiction Editor Yona Zeldis McDonough about how her Jewish protagonist fits into this very Catholic world.
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August 13, 2020 by Yona Zeldis McDonough
Daphne Merkin on the Nature of Love and Lust
Daphne Merkin is an essayist known for her take—at once both ferociously observant and fiercely introspective—on everything from depression, spanking during sex and the importance of handbags. In 22 Minutes of Unconditional Love (Farrar, Straus & Giroux, $26)) her first novel in more than 30 years, Merkin turns her gimlet-eyed attention to Judith Stone, a young book editor in New York City who has not yet had her first real reckoning with love—or with the erotic charge that often fuels it.
Enter Howard Rose, the somewhat older attorney she meets at a party. Howard arouses her in ways she’s never before experienced and very quickly, she’s putty in his hands. That he’s inclined to insult, undermine and emotionally abuse her only makes him more desirable. Merkin talks to Fiction Editor Yona Zeldis McDonough about the nature of lust, love and whether the two can ever truly be reconciled.
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August 5, 2020 by Yona Zeldis McDonough
Nostalgia for the 1939 World’s Fair
Neither Maxine Roth nor Vivi Holden wanted to be sent to World’s Fair in the spring of 1939; Max was angling for a journalism internship at the New York Times and Vivi was excited by a starring role—her first—in the Hollywood film Every Last Sunset. But both young women do end up at the fair. What they learn—about themselves, the nature of friendship and indeed life—are the basis for the novel We Came Here to Shine (St. Martin’s, $16.99). Fiction Editor Yona Zeldis McDonough chats with author Susie Orman Schnall about her entertaining new summer read—think of it as a perfect respite from the horror of the daily news. (more…)
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July 31, 2020 by Yona Zeldis McDonough
Is Rape a Crime? A Conversation with Michelle Bowdler
Is Rape a Crime: A Memoir, an Investigation and a Manifesto (Flatiron, $27.99) ought to come with a warning: parts of this book are so harrowing that I frequently had to put it down for a spell before picking it up again, avid to continue. Long after the fact, author Michelle Bowdler returns to the home invasion and brutal rape she suffered as a young woman. As one might expect, the attack both branded and shaped her. When she was finally ready to explore the subject in print, she was able to go deep into her own experience but also wide, to place it within a historical and cultural context. Bowdler talks to Fiction Editor Yona Zeldis McDonough about what this literary exploration has meant for her—and what she hopes it will mean to others.
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July 16, 2020 by Sharrona Pearl
“Better Things:” Your Jewish and Frankly Feminist Review
Better Things reached season 4 and protagonist Sam’s kids are still assholes: the formerly angelic Duke a little bit more, the always caustic Frankie a little bit less, and we barely see lovely wild child Max anymore. Time, in the world of this funny, melancholic, and moving show about raising three daughters as a divorced single mom in LA, is progressing. And Sam – played by director and creator Pamela Adlon, herself, like Sam, a single divorced mother with a Jewish father – is moving on too. This season is all about movement: in the water that forms the backdrop to every episode in one way or another; in the lingering camera shots that dwell on paintings, or facial expressions, in an expected black and white silent movies; and in the interviews of women that dwell lovingly and joyfully and painfully on their words as if to insist that these words matter.
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July 14, 2020 by Yona Zeldis McDonough
Stitching for Survival: the Story of Holocaust Survivor Trudie Strobel
Some artists work with a brush; others with a pen, and still others with their voices, bodies, or a musical instrument. Trudie Strobel’s instrument is a slender needle, and she wields it with fierce and incredible power. Lilith first learned of Trudie Strobel’s recovery of her Holocaust past when she told Rabbi Susan Schnur of recreating the treasured doll the Nazis had torn away from her when she was a small child. When Jody Savin encountered Strobel’s work, she knew she had to tell her story (Stitched & Sewn: The Life-Saving Art of Holocaust Survivor Trudie Strobel, Prospect Park Books, $35). Savin talks to Fiction Editor Yona Zeldis McDonough about the delicate process of excavating Strobel’s harrowing past and how her art was a way of coming to terms with it.
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